![]() ![]() It captures the surreal feeling of the song, the film, and combines the two into a single music video. Lynch not only was fine with him using scenes from the movie, but offered to help with the re-recording of the song for the greatest hits album, which he did. To solve the legal problem, Orbison went back into the studio to re-record his hits for the 1987 album In Dreams: The Greatest Hits. Orbison changed his tune about its use in the movie at this point, and asked Lynch if he could use some footage from the movie in the music video for the song. At the time, Orbison didn’t have access to the master recordings of many of his hit songs because of legal issues. Since it was used so effectively and is one of the most important parts of the film, it stirred up renewed interest in Orbison. Orbison didn’t authorize the use of the song in the movie or know how it was going to be used. His career probably stalled because it was eclipsed by the revolutions in music during the 60s and 70s. Maybe he saw that Marty Robbins was starting to appear in movies such as that years Hell On Wheels, and decided he’d take a crack at it the same way Elvis did. I wonder how he ended up agreeing to be in that. ![]()
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